CoMo Commentary: Hack Journalism from the Home of the Missouri Method

KOMU ran this story about connecting a rock show flyer to this past weekend’s Brookside Apartment complex fire near downtown. The rock show in question happened over three weeks ago at the Blue Note and featured local bands Enemy Airship and Believers plus Daryle Bascom’s Videology. The poster in-question was printed by our own Ben Chlapek, an accomplished poster maker here in town.

The disappointing part of the story is that KOMU reported that the poster was being considered in the Fire Marshal’s investigation, insinuating that Ben and the other artists involved in the show were somehow at fault for the fire. Sure, KOMU didn’t directly say that Ben et al. were responsible for the incident, but their irresponsible reporting is going a long way toward dragging the artists’ good names through the mud.

The damage was done in two ways. One problem lies in how KOMU reported the story in the first place, leaving the audience with very little context to see the full picture. The second issue arises when they post these kinds of stories on Facebook and allow the uninformed to run wild with hyperbole and sensationalism.

KOMU reported only part of the story, leaving assumptions to be drawn by their audience. There’s the implication that the drawing is of the Brookside Apartment complex. However, there is no identifier aside from the fact that the building on the poster LOOKS LIKE EVERY OTHER APARTMENT COMPLEX IN COMO. It says “Brookside” nowhere, nor does the image include street names “Walnut” and “College”, where the fire took place.

There is little attempt by KOMU to present Ben as anything more than an “artist” or band member. Keeping him faceless allows the audience to make all sorts of judgments on his character (depending on their views of artists). Obviously, I know Ben and have some idea as to how much he cares for this community. Aside from Ben’s released statement, KOMU did very little to paint an accurate picture of who Ben is. Doing so would have left them with virtually no story.

A little Googling would have revealed a pattern of flaming buildings in Ben’s work. Said work is not only engaging but making some noise in the poster art world. Still, flames are present in other examples of his prints. Check the two prints below. Should we also blame Ben for the end of the world in 2012 as well as the destruction of Inuit homes? The point is that there’s a pattern that suggests the show’s flyer had little-to-nothing to do with the apartment fire. He draws buildings on fire from time to time. It’s merely a coincidence that someone thought the poster portrayed Brookside.

Now, there’s the Facebook post. KOMU has made a concerted effort to engage their viewers through social media. While this sounds great to someone like me who values the community dialogue social media encourages, the combination of a lack of context and someone to monitor these discussions leads to a misinformed public jumping to conclusions, something a news organization is supposed to combat.

The above comments are only the tip of the iceberg when it comes to the discourse that often results in KOMU Facebook posts. Some of the most bigoted and vile statements I have ever seen in COMO happen on these threads. To be honest, these reactions are tamer than most KOMU stories. Still, people were quick to jump to the conclusion that Ben and the bands were somehow involved in the fire.

KOMU failed to present the full story as well as monitor their own discussion. I help run this blog as well as other blogs and several Facebook pages and groups. If someone posts something that stinks of libel and/or intolerance, I at least will call them out on it or even remove their comments. While I get that KOMU wants to allow their viewers the liberty of speaking their minds, this sort of “discourse” only spirals down a rabbit hole of ugliness.

The full story would have not only included Ben’s profile but a list of other avenues the fire marshal was investigating. There have been rumors of poor treatment toward laborers floating around the project. What about the many residents angered by the continued development of downtown and the surrounding neighborhoods? How about the fact that it’s dry in Mid-Missouri this time of year and these sorts of things happen in new construction projects? Instead, the KOMU story only gives one possibility for the investigation. The audience is led to believe that this is the only angle officials are investigating. I find that hard to believe. Including these other possible causes would have not only provided more context but would have lessened the negative effect on the artists. Again, this would have led to a less-sensational story.

One thing KOMU did mention in their story was Ben’s official statement (emphasis mine):

As a resident of the downtown neighborhood, I am terribly saddened to hear about the fire at Brookside apartments. The poster I created is, in hindsight, an irony and coincidence which I cannot erase. Out of respect for the owners of the property and the future residents of the complex, I have taken the image off of the internet and will no longer display it in any form.

Sadly, the same cannot be said for KOMU. The station displays the image of the flyer in their original story and has posted it on Facebook (from where the above comments originated). I even have an image of the original flyer, yet have chosen not to display it here out respect for Ben’s wishes. Oh, and I’m sure you noticed the screen grab above on KOMU’s Facebook page. It seems Ben et al. should be singled-out for their artistic imagining of a building on fire, but KOMU can capitalize on the Brookside fire all they want.

What would be great is if KOMU actually covered the art and music scenes in a way that would have painted a much more balanced picture of Ben, Enemy Airship, Believers, and Videology. These components of our community are a vibrant part of what makes COMO great. I’ve mentioned and linked to Ben’s accomplishments, but what would the audience think if they knew about the label associated with Enemy Airship that often gives its music away online? Would there have been more familiarity with Believers had the news station already been reporting their debut release and all the buzz it’s creating around town and the rest of Missouri (and beyond)? Do they even know that Daryle Bascom has a long history in the music biz and that his Videology parties are among the most popular and unique of their kind? KOMU’s missing a large part of this story that would have surely painted a much more balanced picture of the situation instead of a sensationalized non-story.

That might be what’s most disappointing. KOMU is affiliated with our beloved MU Journalism School, home of the “Missouri Method.” Shouldn’t they have a higher standard to uphold?

In the end, this will all blow over. The fire marshal will quickly clear Ben and his mates of any wrong-doing. The investigation will focus on actual suspects and evidence, and the Brookside apartments will be ready a little later than expected. However, I wonder whether or not KOMU will update their story. Will they clear Ben’s name as well as everyone else involved with the show? It’s doubtful. That’s just not a story. It won’t bring in ratings. I’d love to be wrong, but I won’t keep my hopes up.

CoMusic Review: Photos from White Rabbits at The Blue Note

White Rabbits formed in Columbia in 2004, but soon moved to Brooklyn. They quickly rose to national prominence with their debut album Fort Nightly, appearing on Letterman soon after the album was released. The group returned to Columbia last night, a few years and two more albums under their belt. Gull opened for White Rabbits. Gull is an interesting project with a major contradiction. It is a one-man band, yet has the sound and aura of a tribe. The consistently great Believer’s also opened the show.

Gull

 

CoMusic Review: Believers

Believers‘ self-titled EP arrived just in time for True/False. It’s been a long time coming, like a whole year, but Believers finally have that tangible document of their struggles over their short run. It was at last year’s True/False that the band first entered the collective CoMo conscience. Now, there is a record with their name and recordings on it awaiting turntables all over Middle Missouri.

The songs on this new EP, funded by the generosity of true believers via a Kickstarter initiative, have become familiar to those who have been lucky enough to catch the ensemble around town. We’re now familiar with the percussive core, sampled bird songs, and the crooning that characterizes a Believers set. Additionally, those who have seen them in-person know of the energy they bring as normally-reserved CoMo crowds find the dancer within and shake what their mothers have given them in celebration of what these boys have crafted.

So, how about those songs?

Splashing water opens as the infectious basslines of “Sleeves” kick in just before a blast of guitar that carry enough power to almost resemble horns. The quiet-loud dynamic is in full-effect for this track and it’s used to its fullest potential. The space between bombasts and the build to a climax have the listener dancing as is the custom at Believers shows, anticipating the rest of the EP to follow. “You can’t ignore what’s going on all around you,” singer/guitarist Wesley Powell offers, “along the shore, such heavy progress.” Imagine the sun rising over a clear Missouri River at Cooper’s Landing just before a day of fun on the Big Muddy. Powell’s declaration rings true as this EP gets off to an impressive start.

A few sounds in this town are as commonplace in CoMo as the opening caws at the beginning of “Forward Forward Back”. At this point in the recording, I’m just ready to see Believers live again. The rhythmic trajectory of the song and it’s request “Won’t you dance with me?” causes once again what is typically unthinkable in this town: dancing. The chorus even provides some instruction that suggests forward movement with a bit of youthful caution.

“Far From Home” is the sleepy track that hints at the sacrifices the band has made to get to this point where they now have a record in-hand and a year of playing behind them with an eye to possibilities ahead. We’ll see what happens, but this song is sadder than you think as – like with every song on this EP – it just makes you want to dance. Still, the picture painted is somewhat dire as one huddles in a cardboard box, wishing to just be home.

“Finder” is the rare song that speaks both to those who long to love and those who have loved. We all at some point want to find someone or remember what it was like to find the one we’re with. This song captures that feeling perfectly. Additionally, it imitates that feeling of your heart pounding so hard that it makes that heart-shaped imprint on our chests like on those old cartoons when the intoxicating smell or sweet curves of “the one” passes by. There’s a real longing in this song, but it feels hopeful, almost encouraging. Even for cynics out there, this song will speak to you.

“Wandering” is the second-t0-last track. Over another infectious groove provided by bassist Travis Boots floats some spacey keyboards. The track displays a subtlety not always prevalent as the band often goes for whatever will move the crowd. (There’s nothing wrong with this.) Dreamy guitar strumming, ghostly vocals, and some well-placed horns make for a nice song to play when looking forward to summer nights on the porch.

The dreaminess of “Wandering” is balanced with some steady dance beats and that familiar Powell croon with “In the Water”. Then, the song breaks into what is one of the more powerful songs of a Believers set. The two-headed drumming tandem of  Taylor Bacon and Pete Hansen beat the skins like there’s no tomorrow, inducing that now-natural sense to dance. (I know, in Columbia of all places!) There’s more of that quiet-loud dynamic the kids love so much. Sadly, this is where the EP ends, leaving the listener wanting more. As is true for most EP’s, the band’s best tracks made the cut and give a great taste of what they can provide in full-length albums (hopefully) to come.

At this point, I’ve failed to mention the other Powell brother, Tyler. His musicality and ease of playing comes through on these recordings. He fills space where the drums rest between beats and often carries songs where needed. The brothers Powell are certainly a strong duo and they’ve put together a solid rhythm section to carry their vision with this EP as proof.

Again, this record if filled with longing and hopefulness. It’s the kind of feeling that occurs at that first terror twilight of the summer. That moment when the possibilities of the summer ahead causes you  to hold your breath. All the worries and unfinished projects of the past winter have slowly melted away. Spring brings with it new life and summer warms us and urges us to come from out of our hiding places. The terror caused at dawn is off-putting at first, but you are comforted by the fact that it will pass and tomorrow will be a beautiful day. A record like Believers is the record you play at that very moment.

Then, you dance.

True/False Music Review

Why Are We Building Such a Big Ship? via Benjamin Gross

As promised, here’s a complete rundown of the bands I was able to take in throughout True/False weekend. This year’s lineup was maybe the strongest I’ve seen. Between buskers warming up crowds, filling our streets with music, and rocking showcases around town, this fest became almost as much about the music as it did the films.

As a recap, I’m reposting my take on Wednesday’s Eastside Showcase. Scroll down if you’ve read it before…

Eastside Showcase

This is the unofficial official start of the fest and it’s hard to believe that any showcase will outdo the one at Eastside Tavern last night. Three bands – two local, one from Milwaukee – whipped the crowd into a pretty good frenzy for Wednesday.

Enemy Airship opened the night and one could say the entire festival.If I wanted to hear Broken Social Scene, I’d probably watch them on Pitchfork TV, but this was a close enough facsimile. I certainly don’t mean that in negative way. The band is fun, even danceable, especially as compared to their previous incarnation, Nonreturner. The set was topped off with a particularly earnest cover of New Order’s “Age of Consent”. It’s too bad no one could hear the keyboards.

Another local, Hott Lunch, played second. I had heard a lot of good things and the band did not disappoint. From punk to classic rock, this band was all over the place aggression, hitting all the right influences. I’d like to hear them focus in on one thing, but they do so many so well. Maybe that’s not so bad. Either way, it was an enjoyable set.

The closers were Catacombz. With a light show few have witnessed in Eastside, the band beat the audience into submission and told them to dance without directly telling the so, yet they obeyed. It’s been a while since I’ve seen a band come in and just move the entire crowd into convulsions.

Jerusalem & The Starbaskets via Benjamin Gross

Mojo’s Showcase (Bassdrum of Death, Jerusalem and the Starbaskets, and Ming Donkey One-Man Band)

Regretfully, I missed Ming Donkey One-Man Band due to a film. This became apparent to me as I entered Mojo’s to find it buzzing. It seemed that buzz was about the dirty heaps of new age blues that was being thrust upon the crowd and would continue through the night.

Jerusalem and the Starbaskets, once of CoMo, played next. Besides frontman Jeremy Freeze’s occasional turn as a busker and drummer Kim Sherman’s turns at V/H/S Q&A’s, the band made a triumphant return to CoMo (as is their usual) with a roaring set of dirges and blues psychedelia. Interestingly, the band’s sound was filled out with the addition of John Garland on guitar. The set primarily featured material from their well-received Dost, a record you should own.

Bass Drum of Death via Benjamin Gross

Bass Drum of Death is another Fat Possum band that sounds as if they’re from another era. They looked and sounded a ton like 1991-era Seattle, but sounded closer to No Age than Nirvana. This topped off what was an impressive roster for the evening. I’m not sure I’ve seen a T/F showcase demonstrate as much firepower as this crew showed… Well, until the next night.

Mojo’s A-Go-Go (Believers, Why Are We Building Such a Big Ship?, Dark Dark Dark and Cassie Morgan)

Once again, I regretfully missed a Mojo’s opener. St. Louis duo Cassie Morgan and the Lonely Pine played what must have been a distant and haunting set of hushed melodies. Although described as folk, I’d place her stylings closer to something sleepier, with a bit of twang for good measure. I only know this because I luckily caught her set as a busker in the Blue Note. Still, I imagine her set fit nicely with the bands to follow.

Dark Dark Dark came on next. Gypsies with powerful female lead vocals rarely go wrong. Don’t misunderstand me, this is not Beirut with Sharon Van Etten. No, this is a rock band that understands a good pop song, something that would linger through the evening.

At this point, it was clear that the evening was building toward something. However, it felt as if we needed a way to traverse the gap between Cassie Morgan’s brand of folk and Dark Dark Dark’s gypsie spiel. A bridge would work, but a boat or ship would be better. Why Are We Building Such a Big Ship? made their way on stage and increased the number of accordions and French horns by at least one apiece.

Believers via Benjamin Gross

The bridge or ship or whatever worked as the crowd was pretty amped for the Believers set. Believers just puts on a consistently great show and it doesn’t hurt that the songs are so good and danceable. For once, all the percussion was in the back of the stage as compared to the center, but it didn’t take away the percussive nature of the band by any means. The buzz that started the previous night lasted all the way through Believers’ set. If for no other reason, Believers should stay together just to play T/F every year. Either way, they will forever be linked to the fest for me as it just isn’t complete without a Believers show.

Buskers a-Busking

I remember Nature Walk busking before, but I don’t remember them being as engaging as they were this year. I got vibes from Violent Femmes and One Foot in the Grave-era Beck. Good, fun rock music to get us ready for the nonfiction about to be thrown our way.

The Toughcats come all the way from Maine every year. It seems there’s a contingent that makes the trek every year and the  Touchcats are part of that crew. To fully enjoy the Toughcats’s set, one has to pay particular attention to the drummer who works as hard and as enthusiastically as any drummer I’ve ever seen.

Run On Sentence featured the filmmaker of Gasland, a popular T/F entry and near-Oscar winner. Beyond that, Run On Sentence stands on their own, recalling a bit of Clem Snide. They certainly kept a large audience in the spacious Missouri Theater engaged with the energy they brought from Portland.

Bramble actually played my daughter’s preschool before they ever played the T/F box office, various street corners, or several film venues. They are fast becoming a favorite at the fest. Everybody tends to enjoy their special brand of roots rock, especially three-year-olds.

Another roots rock band to busk some films was Wine Teeth. However, where Bramble reminded me more of Fleet Foxes (musically), Wine Teeth are certainly big Elliott Smith fans, providing a bit of edge to their set.

The hit of the fest may have been Les Trois Coups. The four Frenchmen enchanted audiences, inspiring many to dance and others to fall under their gypsie charms. From what I heard and saw, I don’t think the boys ever stopped playing their songs and performing skits with a combination of French and bits of broken English. The boys played for a school in St. Louis and hit the streets as soon as they made it to CoMo, and were seen at showcases and in the basement of at least one house party at 3:30 in the morning. I’m not sure they ever slept as they had to catch a flight early Sunday morning.

It’s nice see some great bands return year after year. Pearl and the Beard can both fill any venue with their powerful voices while maintaining an uncanny ability to rely on subtlety to not overwhelm with every song. This has really been one of the better busker acts to make it to T/F over the years and I hope they keep coming back.

Prahlad is actually a folklore professor at the university. He plays his brand of folk on mbira and slit drum, traditional African instruments. The resulting music is calming yet stimulating and was a nice break from the hustle and bustle of the fest.

Cindy Woolf told a story that went with a song that was about distilling moonshine. That may be all you need to know. This is country as it’s meant to be sung and performed. Sad, slow, and soothing.

There were others to play music last weekend, but this was what I was able to see/hear among the 15 or so films I was able to see. Still, it was possibly the strongest lineup the fest has featured since I’ve been attending. Music coordinators Billy Schuh and Amanda Rainey really deserve a ton of credit for putting together this year’s group of buskers and showcasers. For the complete list of musicians, including many of the better ones I failed to mention here, check T/F’s website while it’s still up.

CoMusic Review: Believers at Mojo’s

Despite the chill in the air Friday night, Believers kept the fire roaring at Mojo’s with their raucous brand of danceable, indie afrobeat. It’s something to create tropic levels of heat and humidity from some amps and dueling drum kits, but believe me when I tell you that Believers burned that mother down. Clothes were lost. The hippies smelled worse than ever. Mojo’s is no longer standing*. Believers brought the heat and burned the place to the ground.

And it really was an inferno in that narrow hallway they call a rock venue. Hipsters removed their hands from their pockets and began to dance. Drinks were flowing. The band built the energy with their tribal beats and soothed us all to sleep with their sweet vocals. It’s Sunday night and the soft echoes of that fantastic set still linger.

Believe me when I tell you that Believers are the best band in town. We may not have them around for long as lives and situations change. Few bands last in CoMo as young people have to make decisions that will affect the rest of their lives. So, get out there and see them soon. Believers are set to play the Saturday showcase at True/False next month. Don’t miss out on a chance to see them before they’re gone.

It’s hard to find a band that continually builds great new material while maintaining what is a completely engaging set. Despite the heat in the building, fans were treated to a fantastically wild show. We were all hot messes, prepared to enter the cold of the night with the flames of Mojo’s to keep us warm. I can’t wait for True/False…

Kansans Spirit Is the Spirit played just before Believers, filling that echo void normally held down by the headliner. They paired well with the closers but brought something sounding more of pastoral plains, like they were from Kansas or something.

Fliight opened on the floor in front of the stage. Loads of feedback and echoes filled the hall as Fliight worked through what had plenty of blues and country inspiration set over sonic landscapes… It sounded like psychedelic horseshit to me. I don’t mean the Columbus, OH shitgaze band. I’m using the phrase as a term of endearment and as a descriptor. I look forward to hearing more (with less vocals).

 

Spirit is The Spirit

*Mojo’s did not actually burn down.

Photos by Benjamin Gross

Words by Zac Early

CoMusic 101: The Best of 2011

Normally, I write lists when looking back upon a year’s music. However, to rank the best in CoMusic this year would require me to rank my favorite friends. I’m not going to do that. Instead, I’m giving you some local music entities that did enough this year to warrant attention in the new year.

Dubb Nubb
The twindie trio released a full-length album this year and has been playing all over the state and south, honing their skills for another run at your hearts. Be prepared, because many good things will come from the sisters Rainey this year after what was a life-altering 2011. Besides the releases and touring, Dubb Nubb’s twins, Hannah and Delia, made the big move to Columbia as first-year MU students. Expect to see them play out in the coming months as their class schedules allow, especially as buskers at this year’s True-False fest. Check out their session at Daytrotter.

Special Passenger Records
It’s no coincidence that Dubb Nubb’s success over the last year is tied to the growth of their label, Special Passenger. Aside from the Dubb Nubb material and releases from CoMo local folkster Lizzie Wright, SP put out two of the more memorable compilations of the past year. The first was Cicada Summer, a collection of songs from Missouri bands commemorating the summer of cicadas. Highlights included Delia Rainey’s “Another State” (a song I loved so much that it made my top-20 tracks of the year) and Butterflies’ “Yummy! Pass the Sprinkles” which details the entire cicada ice cream phenomena at Sparky’s. The second compilation of note was the Feels Like Coming Home project where the SP folks asked 16 of their closest friends from all over the country to sing about their homes. Listen to Lizzie Wright Super Space Ship’s “JXN.MS”.

Hairhole
Shows there may be sporadic, but few venues have created the buzz and energy Hairhole has achieved in 2011. A highlight of the past year includes the Believers show where the band closed with a rousing albeit sloppy version of The Breeders’ classic “Cannonball”. Shows at Hairhole are not easy to keep track of, but persistence will reward.

Ptarmigan
Ptarmigan put out what may be the record of the year in CoMo. We covered The Forest Darling back in May, but the albums sounds just as fresh today. Keeping an eye open and an ear to the ground for the next Ptarmigan showing is highly recommended. Listen to and buy The Forest Darling.

Believers
I will avoid gushing. I promise. Here are the facts… Believers formed in time to make True/False theirs. Aside from providing music for the bumpers, the band made their debut at a secret party, blowing away those in attendance. Since, they’ve taken the town and state by storm with their energetic live show, a show they eventually took east. To close out the year, Believers started a Kickstarter in order to press their first EP. The fundraiser was a success and should mean good things for the band in the coming year. See them play Mojo’s on February 10th.

Richard the Lionhearted
Few bands have worked as hard as Richard. The band bought a van and have recorded a significant amount of music in a short time. Nearly every opening gig is awarded the alt.country band and for good reason. Richard plays a kind of music that just feels familiar. You swear that you’ve heard it before even if you actually haven’t. Of course, as often as they play out, you may have actually heard it before. Listen to and buy their album or check out the two new tracks released over the holidays.

Enemy Airship
Rising from the ashes of Nonreturner comes Enemy Airship. They’ve played live a few times, but it’s usually a secret only they know. Still, from the reports I’m getting, the mopiness that permeated through Nonreturner’s material seems to have given way to some energy a la Broken Social Scene. Added to the crew has been our own Ben Chlapek (who has his own Neatly Knotted project). So, expect some good things from this reincarnation of an old CoMo favorite.

New Tongues
There isn’t much known about this band except that former members Bald Eagle, Caterpillar Tracks, MTMQ, Corn Boss, The Foundry Field Recordings, Non Stop 3, The Confident Years, Amputee Set, The Carry On Killaway, Subscribe, etc. I suspect noisy, three-piece, Socialist rawk from this band. Look for them to play out later this month or next.

Hott Lunch
There’s loads of buzz surrounding this band. After playing Bitchfork this summer and opening for Cave and Jerusalem & the Starbaskets, the buzz is hitting the right circles to insure that Hott Lunch should have the connections necessary to make some real noise in 2012. Check out Hott Lunch on January 14th at Mojo’s.

The True/False Busker and Live Show Lineup
The music at True/False has always been excellent, but this year should have a new flavor as Billy Schuh (Foundry Field Recordings, Emergency Umbrella) and Amanda Rainey (Dubb Nubb, Special Passenger) are taking over for the 2012 fest.

Bonus: White Rabbits
Although they’re no longer residents here or haven’t really done much in 2011, CoMo’s favorite sons have a new album coming out and here’s a taste…

CoMusic: Believers Launch Kickstarter Campaign

Update: As of January 5th, Believers achieved their goal. Look for those EP’s soon, CoMusic fans!

The Collective fav Believers have launched a Kickstarter campaign in an effort to raise the money to master and manufacture their debut EP. There are various levels of giving and corresponding rewards, but $15 will get you a record and digital download. Consider it a pre-order. Beyond that, there are t-shirts, mixed tapes/CD’s, artwork, even a live performance if you’re willing to give enough. However, the $15 option is still a good one.

Check out the video above to get some idea of what these guys are up to. If you listen carefully, you’ll pick up the sounds that you will be purchasing. Also, you can preview two tracks here.

Be a part of CoMusic history and give to this Kickstarter program TODAY!!!

CoMo Review: Regency Hotel

Editor’s Note: I too received the mysterious email to check out the events in the Regency Hotel, but I was unable to go. As I sat around flipping through my Twitter feed Sunday, I noticed Glenn’s pictures inside the Regency and promptly asked him to share his experience as this is the sort of thing the Collective loves. I hope you like it too. -Zac

Columbia's downtown Regency Hotel, to be demolished early next year.

 

It began, for me and many others, with a cryptic email from impresario Paul Sturtz: an invitation to an event that evening at the soon-to-be-demolished Regency Hotel in (beautiful) downtown Columbia. Guests were instructed to meet in the hotel lobby for orientation, then on to the “open house” with performances every half hour.

Regarded by many Columbians with feelings ranging from affection to derision, the Regency and its predecessors have been intertwined with downtown’s culture for decades. The building, first named The Broadway Inn, was constructed during a hotel-development boom in the 1960s. Now, it’s planned to be demolished in January, to be replaced by a Doubletree Hotel and parking garage. Parts of the hotel have already been stripped, although it’s still offering accommodations. Paul has been working on a short film at the hotel, documenting its end of days.

Sunday night around 9:30, we found a spot in the Regency’s cramped parking lot and entered the lobby as directed. The first person we saw was Jarrett Crader, of Hellbender Brewing and revered True/False boozemaster, who offered an unofficial tour of the basement. Tempting as this was, we hit the lounge instead — located in the former Thai Kitchen restaurant — for some beers and to wait for our flight to be called. While waiting, we signed the waivers, read the rules [1], and speculated about what was happening five floors up. Polina Malikin, the hostess and perhaps organizer of the event [2], eventually announced the next group and bestowed a carob chip on each guest as they headed for the elevators.

The juddery, lurchy, claustrophobia-inducing elevators are one of the Regency’s many endearing features, along with its outdoor pool deck and bizarre inside-out design — a roadside motel stacked like a cake and wrapped in windows, with the hallways on the outside, offering fine views of the Donald Duck Church and Jingo’s.

The Regency was the hotel of choice for my visiting out-of-town friends. It’s been an official True/False lodging for several years, and during recent fests, the hotel’s lobby has served as an impromptu filmmakers’ lounge. Back in the days when there were more kids living in North Village, families could buy cheap “memberships” to the Regency’s pool during the hot summer months.

At the top floor, we disembarked into an equally cramped hallway filled with people and the sounds of nearby live music by Believers. Thus began a slow shuffle through a warren of former hotel rooms, each of which had been decorated and constructed by itinerant artists over the past week, apparently out of materials salvaged (or demolished) from parts of the building — mattresses, draperies, structural materials, furniture, bathroom fixtures, TVs. Getting into and between these spaces involved much ducking under and around splintered wood panels, glass sheets, gutted light fixtures, etc. It was visually and spatially chaotic, but somehow intimate and inviting.

The overall arrangement was designed to funnel guests through the first 2-3 rooms, into the big room(s) with the band, and then through to the other side of the 5th floor for the end of the “tour.” The idea was apparently to have groups moving through, and then out, to make room for the next group, but in reality it didn’t seem to work that way. There was a pushy guy that kept trying to move people along and out, but no one was really listening to him.

That's Sabrina of Maude V assuming the position. I'm really confused...

 

Music permeated the whole floor. I hadn’t seen Believers before [3], really enjoyed the big double-drumkit sound, which was surprisingly good considering they were playing in a giant cinder-block box. There was a professional camera track laid along the back wall (outside window) of the big room; some guys were rolling a large camera back and forth and filming everything. (That’s what the waivers were for.)

On the far side of the elevators, more themed/altered hotel rooms, one filled with soft matresses, comforters, etc. draped and cushioned like the inside of Jeannie’s bottle.

Eventually we made our way back down to the lounge, where we found the keg disturbingly empty. Jarrett then took us on the basement tour.[4] The Regency basement is a huge, creepy, dangerous place, with giant metal tanks, an underground spiral ramp next to a former maintenance man’s shack (like Carl the Groundskeeper’s place in Caddyshack), deep open cisterns, 80s-corporate-style conference rooms, and at least one room that looks like a good place for criminal torture (“Where’s the money!?”)

Still won't talk, eh? Let's see if Mr Toaster can help you change your mind!

 

We finally left around 11. The band was still playing and people were still coming and going. Overall this was a fun event, and I’m glad we went. Great music, interesting art and people, and a fine send-off for this old place. I’m very interested in seeing Paul’s film, when it’s done.

The Regency Hotel isn’t old and grand like the Tiger, but had its own unique character. I’ll be sorry to see it go.

[1] Basically, “keep on the path.” The Regency is still serving guests.

[2] I was never able to find out for sure who was involved in putting on this show.

[3] Zac reminded me that Believers played at the T/F “super secret” party earlier this year. I think I spent the whole time on the roof, though.

[4] I’d actually been down in the Regency basement before as part of my T/F duties, which require me to carry heavy, dirty objects through moldy caverns. But this was extra-special.

 

CoMusic Preview: Neon Indian and KreayShawn coming to Columbia

File this under WTF. Neon Indian and internet sensation KreayShawn will be coming to The Blue Note. Together. The package tour is being put together by Noisey.com, a website I’ve never heard of before. Their ability to put together a coherent concert bill seems to be about on par with their ability to spell “noisy.” Then again, maybe it’s just crazy enough to work.

Neon Indian and KreayShawn @ The Blue Note
Tue, October 25, 2011
Doors: 8:00 pm / Show: 9:00 pm
$15.00 ($2 minor surcharge)

Update: Believers are opening. Also, rumor has it that there are 500 free tickets to be had. – Ed.

CoMusic: Believers Tracks Available!

You’ve been reading about Believers here for months. Now, you should head over to their site to download a new mix of “Forward Forward Back” and the B-side, “Finder.”

Here’s what the band had to say on their Facebook page:

Friends,

Pardon the delay; here are a couple tracks from our forthcoming 10-inch vinyl/download, now in its final sonic phases. They are as yet unmastered but we are anxious to share them.

We’d ask that if you enjoy these songs, download them and pass them on as much as you can. Keep your ear to the ground for more updates/downloads.

Thanks!

Believers

Then, keep an eye out for more Believer tracks and shows via their website, Facebook page, or even here.