Cloud Dog in The Dome
Like any college town, Columbia is home to many music venues offering a wide array of cheap entertainment. Aside from the regulars (Blue Note, Mojo’s, Roxy’s Eastside, The Bridge, etc.), there are a few DIY venues featuring another side of the scene not often seen or heard by the masses. Most of these venues are living rooms just north or east of campus. Another is the hairhole, which we’ve told you about in the past. A newer-ish DIY venue is The Dome.
Joe Dame’s dome is also his home. (Sorry.) And by “dome”, I mean to say that it’s geodesic dome near Ashland at the end of a long, winding, gravel driveway. And by “home”, I mean to say that Joe is renovating the dome in the woods to not only house some cutting edge music but also to serve as his house.
Late last week, I ventured out to The Dome in order to take in one of the more interesting lineups I’ve seen in CoMo in a while. There was Ben Chlapek and Neatly Knotted project plus collaborator Steve Ruffin – or the pleasant projectionist at Ragtag who wears those glasses. The duo opened with a lot of ambient noise. Quite enjoyable for a warmup without a proper name (Iced Wine, anyone?). The echoes they produced filled the rickety dome in the woods and warmed me up proper.
Out of the cornfields arose Curtain Co. with some chill waves (or is it chillwaves?) for the Domers to groove on. Another duo, this time the two musicians worked closely, pretty much shoulder-to-shoulder in delivering movement-inducing beats, causing heads to bob and even a few kids to hit the splintered dance floor.
Local regulars Enemy Airship played third with heaps of Broken Social guitars and keyboards to fill the Dames Dome’s rafters with layers of guitar and synths. A long time ago, I wrote that this group (at the time known as Nonreturner) had found their sloppy, rock ‘n roll selves. Well, along with that old band name went the sloppiness. The band is tight and professional and they just sound like they know what their doing. The guy who accompanied me to The Dome proclaimed them his new favorite local band and I can’t really argue with that.
Finally, what made the night really stand out came in the form of three drummers from Lawrence, KS. Cloud Dog played with a fury I haven’t seen since Lightning Bolt, but maintained an aesthetic closer to Animal Collective. The threesome was quite engaging with drum sticks flying everywhere as some hypnotic Tron-like imagery projected behind them. Look for Cloud Dog in a club near you.
All that happened in one evening at The Dome. Joe has done a great thing in some woods just south of town. You owe it to yourself to find an invite and/or ride to one of the more unique and homey venues in and around CoMo. Joe Dames’ Dome cannot be missed.
CoMo Commentary: Hack Journalism from the Home of the Missouri Method
KOMU ran this story about connecting a rock show flyer to this past weekend’s Brookside Apartment complex fire near downtown. The rock show in question happened over three weeks ago at the Blue Note and featured local bands Enemy Airship and Believers plus Daryle Bascom’s Videology. The poster in-question was printed by our own Ben Chlapek, an accomplished poster maker here in town.
The disappointing part of the story is that KOMU reported that the poster was being considered in the Fire Marshal’s investigation, insinuating that Ben and the other artists involved in the show were somehow at fault for the fire. Sure, KOMU didn’t directly say that Ben et al. were responsible for the incident, but their irresponsible reporting is going a long way toward dragging the artists’ good names through the mud.
The damage was done in two ways. One problem lies in how KOMU reported the story in the first place, leaving the audience with very little context to see the full picture. The second issue arises when they post these kinds of stories on Facebook and allow the uninformed to run wild with hyperbole and sensationalism.
KOMU reported only part of the story, leaving assumptions to be drawn by their audience. There’s the implication that the drawing is of the Brookside Apartment complex. However, there is no identifier aside from the fact that the building on the poster LOOKS LIKE EVERY OTHER APARTMENT COMPLEX IN COMO. It says “Brookside” nowhere, nor does the image include street names “Walnut” and “College”, where the fire took place.
There is little attempt by KOMU to present Ben as anything more than an “artist” or band member. Keeping him faceless allows the audience to make all sorts of judgments on his character (depending on their views of artists). Obviously, I know Ben and have some idea as to how much he cares for this community. Aside from Ben’s released statement, KOMU did very little to paint an accurate picture of who Ben is. Doing so would have left them with virtually no story.
A little Googling would have revealed a pattern of flaming buildings in Ben’s work. Said work is not only engaging but making some noise in the poster art world. Still, flames are present in other examples of his prints. Check the two prints below. Should we also blame Ben for the end of the world in 2012 as well as the destruction of Inuit homes? The point is that there’s a pattern that suggests the show’s flyer had little-to-nothing to do with the apartment fire. He draws buildings on fire from time to time. It’s merely a coincidence that someone thought the poster portrayed Brookside.
Now, there’s the Facebook post. KOMU has made a concerted effort to engage their viewers through social media. While this sounds great to someone like me who values the community dialogue social media encourages, the combination of a lack of context and someone to monitor these discussions leads to a misinformed public jumping to conclusions, something a news organization is supposed to combat.
The above comments are only the tip of the iceberg when it comes to the discourse that often results in KOMU Facebook posts. Some of the most bigoted and vile statements I have ever seen in COMO happen on these threads. To be honest, these reactions are tamer than most KOMU stories. Still, people were quick to jump to the conclusion that Ben and the bands were somehow involved in the fire.
KOMU failed to present the full story as well as monitor their own discussion. I help run this blog as well as other blogs and several Facebook pages and groups. If someone posts something that stinks of libel and/or intolerance, I at least will call them out on it or even remove their comments. While I get that KOMU wants to allow their viewers the liberty of speaking their minds, this sort of “discourse” only spirals down a rabbit hole of ugliness.
The full story would have not only included Ben’s profile but a list of other avenues the fire marshal was investigating. There have been rumors of poor treatment toward laborers floating around the project. What about the many residents angered by the continued development of downtown and the surrounding neighborhoods? How about the fact that it’s dry in Mid-Missouri this time of year and these sorts of things happen in new construction projects? Instead, the KOMU story only gives one possibility for the investigation. The audience is led to believe that this is the only angle officials are investigating. I find that hard to believe. Including these other possible causes would have not only provided more context but would have lessened the negative effect on the artists. Again, this would have led to a less-sensational story.
One thing KOMU did mention in their story was Ben’s official statement (emphasis mine):
Sadly, the same cannot be said for KOMU. The station displays the image of the flyer in their original story and has posted it on Facebook (from where the above comments originated). I even have an image of the original flyer, yet have chosen not to display it here out respect for Ben’s wishes. Oh, and I’m sure you noticed the screen grab above on KOMU’s Facebook page. It seems Ben et al. should be singled-out for their artistic imagining of a building on fire, but KOMU can capitalize on the Brookside fire all they want.
What would be great is if KOMU actually covered the art and music scenes in a way that would have painted a much more balanced picture of Ben, Enemy Airship, Believers, and Videology. These components of our community are a vibrant part of what makes COMO great. I’ve mentioned and linked to Ben’s accomplishments, but what would the audience think if they knew about the label associated with Enemy Airship that often gives its music away online? Would there have been more familiarity with Believers had the news station already been reporting their debut release and all the buzz it’s creating around town and the rest of Missouri (and beyond)? Do they even know that Daryle Bascom has a long history in the music biz and that his Videology parties are among the most popular and unique of their kind? KOMU’s missing a large part of this story that would have surely painted a much more balanced picture of the situation instead of a sensationalized non-story.
That might be what’s most disappointing. KOMU is affiliated with our beloved MU Journalism School, home of the “Missouri Method.” Shouldn’t they have a higher standard to uphold?
In the end, this will all blow over. The fire marshal will quickly clear Ben and his mates of any wrong-doing. The investigation will focus on actual suspects and evidence, and the Brookside apartments will be ready a little later than expected. However, I wonder whether or not KOMU will update their story. Will they clear Ben’s name as well as everyone else involved with the show? It’s doubtful. That’s just not a story. It won’t bring in ratings. I’d love to be wrong, but I won’t keep my hopes up.