CoMusic Review: Photos from Someone Still Loves You Boris Yeltsin on The Missouri Theatre Center for The Arts patio

That may be a record setting post title. Maybe I should have gone with SSLYBY @ The MO Theatre. After a late night of thesis writing in the coffee shop Tuesday, I just happened to see the show advertised on the theater marquee as I walked past. I didn’t even know the theater had a patio, so the fact they were holding a show on it definitely intrigued me. It didn’t hurt that I think SSLYBY is one of the most underrated bands performing today (ignore the fact that their debut Broom was the love child of just about every music blog except Pitchfork).

SSLYBY played well, plus had a strong showing of super fans standing in front, singing along with every song. Unfortunately, the mix was way off and even with the extra help the vocals were muddy and sometimes absent. John Robert Cardwell and Phillip Dickey often trade vocals or interweave them throughout a song. Since the mic at the drum set was turned down so low, it seemed like one singer was giving the silent treatment to the other. Plus, the patio’s geometry really lends itself better to a wine and cheese function with a jazz band than a crowded rock show. But for what it’s worth, SSLYBY played well, the crowd was into it, and it’s hard to beat a night of music with your friends under the warm Missouri sky.

CoMusic Review: Photos from Mission of Burma at Mojo’s

Mission of Burma brought their post-punk act to Columbia last night with a stop at Mojo’s. The Riverfront Times music blog indicates that prior to this tour, Mission of Burma’s sole Missouri performance was at Mizzou’s Springfest in 2004. That’s a rather unflattering statistic for our state since the band has trekked across the states on a number of tours over the three and a half decades of its existence (granted, the band was on hiatus for 20 years). I expected a large crowd to come out for such a widely respected group, but there was actually plenty of breathing room inside Mojo’s. Perhaps that should be expected when a late 70s-era punk band plays a college town. After all, Mizzou freshman were only 9 years old when Mission of Burma reached their second peak in popularity after their reformation in 2002.

 

CoMusic Review: Photos from Band of Skulls at Adult Swim Carnival Tour

The Adult Swim Carnival Tour came to Columbia last night. The event was just about what you would expect from Cartoon Network’s night late programming block: weird and wonderful. Add in popular UK group Band of Skulls and make it all free, and you’ve got a really fun night. Shakespeare’s parking lot made the transition to carnival midway throughout Thursday. By mid-afternoon a giant inflatable Carl from Aqua Teen Hunger Force had been erected atop Shakespeare’s. The carnival featured classic games such as Balloonacorn, Flunko, University of China, IL wheel, and Smack Up My Ulna. Despite all the distractions, the crowd was attentive throughout Band of Skulls’ set. The band rewarded the crowd with a set that extended 20 minutes past their scheduled time.

 

CoMusic Review: Photos from White Rabbits at The Blue Note

White Rabbits formed in Columbia in 2004, but soon moved to Brooklyn. They quickly rose to national prominence with their debut album Fort Nightly, appearing on Letterman soon after the album was released. The group returned to Columbia last night, a few years and two more albums under their belt. Gull opened for White Rabbits. Gull is an interesting project with a major contradiction. It is a one-man band, yet has the sound and aura of a tribe. The consistently great Believer’s also opened the show.

Gull

 

CoMusic Review: Photos from Dr. Dog at The Blue Note

Dr. Dog paid a visit to Columbia last night. They were last in town four long years ago. Back in 2007, they played Mojo’s and an in-store at Slackers during a tour with What Made Milwaukee Famous (incidentally, this photographer caught that tour in St. Louis at the Creepy Crawl). They played Mojo’s again in 2008. It seems time has treated the good doctor well, because now they’re playing a near-capacity Blue Note. This show must have sold very well, because the big barricade was up near the stage, a rarity at The Blue Note.

I’ve seen Dr. Dog a number of times before, including an opening slot for The Black Keys. This is the best show I’ve seen from them. In part it was probably due to the silly stage decorations that included multiple tiger heads and fireplaces and better lighting. The crowd interaction was almost nil, save for an extended staredown by the bassist Toby during “Fate.” Still, energy was high and the music sounded great. Dr. Dog has left their lo-fi origins far behind. The set included a number of cuts from the band’s excellent recent effort Be The Void. Scroll to the bottom for a full setlist.

Givers opened the show. I’ll admit, I knew nothing about them, but I liked what I heard. One of my friends realized he knew two of their songs without actually knowing the band. He claimed that he heard them on a Minnesota radio station, but it turns out it was probably from the Fifa 2012 video game soundtrack.

 Givers

Dr. Dog Setlist:

That Old Black Hole
Stranger
The Breeze
The Ark
Do The Trick
Lonesome
Shadow People
Hang On
I Only Wear Blue
Someday
The Rabbit, The Bat, and The Reindeer
These Days
Heavy Light
Fate
The Old Days
Shame, Shame

Encore (This is from a previous show. Any ideas if it’s correct?):
The Way the Lazy Do
Vampire
My Friend
Jackie Wants a Black Eye
Heart It Races (Architecture in Helsinki cover)

All photos by Benjamin Gross

CoMusic Review: Photos from Twin Sister at Mojo’s

Twin Sister often get thrown in with the “Chillwave” group, but their set last night at Mojo’s didn’t exactly add credence to that label. Their performance often strayed into ambient territory, including an extended jam at the end that lead singer Andrea Estella watched from the crowd with a Blue Moon in hand. Ava Luna was a real pleasure to hear. There a strong funk and soul influence running through their music. The crowd dug it. Neatly Knotted also opened.

Ava Luna

Photos by Benjamin Gross

FRESH COMO MEAT: SOUNDSYSTEM GONNA…

Being a lover of all things live original music, moving here was a return to a happy place. Living in a remote Iowa town last year really made me appreciate the music scene in my former Cincinnati. Growing up in an area where there was, in all likelihood, live original music in some setting 7 days a week and then moving to a town with weekly and sometimes monthly shows began to drain me. In a period where auto-tuned, talentless, morons with unlimited resources are able to record, tour, and and endlessly promote a soulless product ripe for youth consumption, watching and listening to something that a real person made with real analog instruments brings an enormous shit-eating grin to my face.

Don’t mistake my perspective for being instrument bias nor am I apart of the Analog Taliban who will make the dumbest choices in the name of analog purity. I cut my musical teeth on the best of 1980′s and early 90′s rap. In fact, I didn’t even listen to anything with a guitar until I started hanging out with the kid who pushed carts at Central Hardware. Seeing live music, has at this point in my life, has become a crucial part of creating my own happiness. With seemingly endless wars, the emergence of Police State USA, and horrible election fever, seeing a really loud rock band whilst having some adult sodas is a fine temporary vacation.

Last Friday I got the chance to see Jack Buck (the band, not the dead Cards announcer who made the 1990 world series a painful listen) and Shaved Women (Crass anyone?) from St. Louis. They were both loud, noisy, chaotic, and slightly dangerous on stage. I could name drop a bunch of bands that they sound like but that rarely works. You should also pick up Jack Buck’s brilliantly packaged 7″ vinyl record. Its pretty much the best thing I’ve bought since I moved here. They played at the Hairhole, a DIY art/show space here in CoMo. I had heard a lot about it and know some of the folks who help out there. It was a great time and much needed. Needless to say, I had fun and met some really genuine people creating some great sounds. Everyone should have the opportunity to do that every now and again. I’m just lucky enough to have a TEAM that supports it. For its size, this town has a boatload of live music venues. Not all of them book good music but its live and mostly original. Do yourself a favor and go see some. GOOD NEWS: I’ve had the pleasure of meeting a couple of righteous gentlemen and we have a band now. Our debut will be sometime in the early part of 2012 which may spell the end of civilization according to the Mayans or if Newt Gingrich is elected president.

CoMusic Review: Photos from The Jayhawks at The Blue Note

The Jayhawks

Jolie Holland

CoMusic Review: Photos from Turbo Fruits at Mojo’s

Turbo Fruits brought their collection of garage jams to Mojo’s last night and the Collective was there to photograph the proceedings. Turbo Fruits frontman Jonas Stein proclaimed that Mojo’s was one of their favorite venues to play, citing their three appearances in the past year and a half as evidence. Local band Lunar Mansion might have drawn the biggest crowd of the night. By the end of their set, the bassist’s pickguard and finger were covered in blood while the lead singer had his arm in a sling (that accident actually preceded the show).

Turbo Fruits

Lunar Mansion

Hott Lunch

CoMusic Review: Photos from Tommy and The High Pilots at Mojo’s

Santa Barbara band Tommy and The High Pilots played to a young crowd last night at Mojo’s in Columbia. The set revealed a large blues influence from the start, but later songs also ventured toward alt-country territory. Opening the night was Nashville group Heypenny, who gets big props for touring with about a dozen old TVs for their stage setup. Their set also included a cover of BeyoncĂ©’s Single Ladies. Stamps, featuring a member of The Hush Sound member, also played.

Tommy and The High Pilots

Stamps

Heypenny

All photos by Benjamin Gross.