CoMusic Review: Photos from Someone Still Loves You Boris Yeltsin on The Missouri Theatre Center for The Arts patio

That may be a record setting post title. Maybe I should have gone with SSLYBY @ The MO Theatre. After a late night of thesis writing in the coffee shop Tuesday, I just happened to see the show advertised on the theater marquee as I walked past. I didn’t even know the theater had a patio, so the fact they were holding a show on it definitely intrigued me. It didn’t hurt that I think SSLYBY is one of the most underrated bands performing today (ignore the fact that their debut Broom was the love child of just about every music blog except Pitchfork).

SSLYBY played well, plus had a strong showing of super fans standing in front, singing along with every song. Unfortunately, the mix was way off and even with the extra help the vocals were muddy and sometimes absent. John Robert Cardwell and Phillip Dickey often trade vocals or interweave them throughout a song. Since the mic at the drum set was turned down so low, it seemed like one singer was giving the silent treatment to the other. Plus, the patio’s geometry really lends itself better to a wine and cheese function with a jazz band than a crowded rock show. But for what it’s worth, SSLYBY played well, the crowd was into it, and it’s hard to beat a night of music with your friends under the warm Missouri sky.

CoMusic Review: Photos from Mission of Burma at Mojo’s

Mission of Burma brought their post-punk act to Columbia last night with a stop at Mojo’s. The Riverfront Times music blog indicates that prior to this tour, Mission of Burma’s sole Missouri performance was at Mizzou’s Springfest in 2004. That’s a rather unflattering statistic for our state since the band has trekked across the states on a number of tours over the three and a half decades of its existence (granted, the band was on hiatus for 20 years). I expected a large crowd to come out for such a widely respected group, but there was actually plenty of breathing room inside Mojo’s. Perhaps that should be expected when a late 70s-era punk band plays a college town. After all, Mizzou freshman were only 9 years old when Mission of Burma reached their second peak in popularity after their reformation in 2002.

 

CoMusic Review: Photos from Band of Skulls at Adult Swim Carnival Tour

The Adult Swim Carnival Tour came to Columbia last night. The event was just about what you would expect from Cartoon Network’s night late programming block: weird and wonderful. Add in popular UK group Band of Skulls and make it all free, and you’ve got a really fun night. Shakespeare’s parking lot made the transition to carnival midway throughout Thursday. By mid-afternoon a giant inflatable Carl from Aqua Teen Hunger Force had been erected atop Shakespeare’s. The carnival featured classic games such as Balloonacorn, Flunko, University of China, IL wheel, and Smack Up My Ulna. Despite all the distractions, the crowd was attentive throughout Band of Skulls’ set. The band rewarded the crowd with a set that extended 20 minutes past their scheduled time.

 

CoMusic Review: Photos from White Rabbits at The Blue Note

White Rabbits formed in Columbia in 2004, but soon moved to Brooklyn. They quickly rose to national prominence with their debut album Fort Nightly, appearing on Letterman soon after the album was released. The group returned to Columbia last night, a few years and two more albums under their belt. Gull opened for White Rabbits. Gull is an interesting project with a major contradiction. It is a one-man band, yet has the sound and aura of a tribe. The consistently great Believer’s also opened the show.

Gull

 

CoMusic Review: Photos from Dr. Dog at The Blue Note

Dr. Dog paid a visit to Columbia last night. They were last in town four long years ago. Back in 2007, they played Mojo’s and an in-store at Slackers during a tour with What Made Milwaukee Famous (incidentally, this photographer caught that tour in St. Louis at the Creepy Crawl). They played Mojo’s again in 2008. It seems time has treated the good doctor well, because now they’re playing a near-capacity Blue Note. This show must have sold very well, because the big barricade was up near the stage, a rarity at The Blue Note.

I’ve seen Dr. Dog a number of times before, including an opening slot for The Black Keys. This is the best show I’ve seen from them. In part it was probably due to the silly stage decorations that included multiple tiger heads and fireplaces and better lighting. The crowd interaction was almost nil, save for an extended staredown by the bassist Toby during “Fate.” Still, energy was high and the music sounded great. Dr. Dog has left their lo-fi origins far behind. The set included a number of cuts from the band’s excellent recent effort Be The Void. Scroll to the bottom for a full setlist.

Givers opened the show. I’ll admit, I knew nothing about them, but I liked what I heard. One of my friends realized he knew two of their songs without actually knowing the band. He claimed that he heard them on a Minnesota radio station, but it turns out it was probably from the Fifa 2012 video game soundtrack.

 Givers

Dr. Dog Setlist:

That Old Black Hole
Stranger
The Breeze
The Ark
Do The Trick
Lonesome
Shadow People
Hang On
I Only Wear Blue
Someday
The Rabbit, The Bat, and The Reindeer
These Days
Heavy Light
Fate
The Old Days
Shame, Shame

Encore (This is from a previous show. Any ideas if it’s correct?):
The Way the Lazy Do
Vampire
My Friend
Jackie Wants a Black Eye
Heart It Races (Architecture in Helsinki cover)

All photos by Benjamin Gross

CoMusic Review: Photos from Twin Sister at Mojo’s

Twin Sister often get thrown in with the “Chillwave” group, but their set last night at Mojo’s didn’t exactly add credence to that label. Their performance often strayed into ambient territory, including an extended jam at the end that lead singer Andrea Estella watched from the crowd with a Blue Moon in hand. Ava Luna was a real pleasure to hear. There a strong funk and soul influence running through their music. The crowd dug it. Neatly Knotted also opened.

Ava Luna

Photos by Benjamin Gross

CoMusic Review: Photos from The Jayhawks at The Blue Note

The Jayhawks

Jolie Holland

CoMusic Review: Photos from Turbo Fruits at Mojo’s

Turbo Fruits brought their collection of garage jams to Mojo’s last night and the Collective was there to photograph the proceedings. Turbo Fruits frontman Jonas Stein proclaimed that Mojo’s was one of their favorite venues to play, citing their three appearances in the past year and a half as evidence. Local band Lunar Mansion might have drawn the biggest crowd of the night. By the end of their set, the bassist’s pickguard and finger were covered in blood while the lead singer had his arm in a sling (that accident actually preceded the show).

Turbo Fruits

Lunar Mansion

Hott Lunch

CoMusic Review: Photos from Tommy and The High Pilots at Mojo’s

Santa Barbara band Tommy and The High Pilots played to a young crowd last night at Mojo’s in Columbia. The set revealed a large blues influence from the start, but later songs also ventured toward alt-country territory. Opening the night was Nashville group Heypenny, who gets big props for touring with about a dozen old TVs for their stage setup. Their set also included a cover of BeyoncĂ©’s Single Ladies. Stamps, featuring a member of The Hush Sound member, also played.

Tommy and The High Pilots

Stamps

Heypenny

All photos by Benjamin Gross.

CoMusic Live Photos: Clutch at The Blue Note

Last night hard rock band Clutch and veteran metalheads Corrosion of Conformity played the The Blue Note. The crowd was large, but just the right size to allow a little breathing room on the floor. It was also the right size to allow Blue Note security to kick out anyone who attempted to mosh or slam dance without inciting a riot.

Clutch killed it with lead singer Neil Fallon’s powerful stage personality. I worry that guitarist Tim Sult’s foot might actually be physically attached to a wah pedal. Corrosion of Conformity have been paying their dues for almost 30 years now. The crowd rewarded them with a warm reception and generous use of the sign of the horns, as well as accepting Woody Weatherman’s cargo pants and sleeveless shirt outfit.

Clutch

Corrosion of Conformity

Opening band Groundscore